He brought you arguably the best house track “Intro” (with Falke of course).
His first release on Roulé (French house label set up by Thomas Bangalter, one half of Daft Punk and managed by Gildas Loaëc) was “Vertigo” - a very tight tight tightttt french-house release.
“Music Sounds Better With You” (also on Roulé) - dare I say more???
(he was in ‘Stardust’, the one time project with Thomas and vocalist Benjamin Diamond that did this amazing one-time hit)
His the bravest man alive. Like, far out.. who would take onDJ Assault? Not me that’s for sure…
You would’ve guessed that the man is of course ALAN BRAXE. YES BRAXEY IS COMING!!! Lock the kids up and venture out to Basement 257 (Q-Bar) on October 24th to see the man do his magic. With great support acts to lend a hand on the night: Miami Horror, Harris Robotis, Ooh-Ee and the Kablam! boys.
Sydney gig details announced soon. Tickets @ $25 with only 500 available.. If you are stuck for a ticket just email the blog, we will do the rest.
I’m sitting here on a Sunday night, not excited at the prospect of going back to Uni tomorrow but some things can’t be helped. I’ve been in a huge French-touch mood for weeks now, (I have a habit of listening to music in cycles) which I should start to post up as French Fridays (which will return soon, I know I’ve said it thousands of times but it will return; I got good shizz lined up).
Anyway, DJ DLG came to the scene in 1993 where he was DJ’ing and promoting but it wasn’t till 2002 he was introduced to Dave Armstrong (you guys out there should know his wonderful track ‘Make Your Move’). Here DLG was introduced to Eyezcream, a brilliant record label that saw future releases from DLG (the ‘Epiphany’ series) and two early Lifelike releases! I shouldn’t forget to mention that DLG has his own label Huge Records, featuring many high quality releases.
DJ DLG brings the French sound to a new level, which I’m finding hard to classify as a genre on its own. I guess it could be called “disco-house”, that’s more heavier, ah whatever, it doesn’t matter… But what ever it is, it is funky/souped up and still reminds me of that old Parisian sound I adore.
A track that’s a perfect example of what I’ve been talking about that I’m putting up for you readers to hear is the A-Side of DLG’s ‘Epiphany EP Part 4′ titled “Your Eyes”. The vocal is very luscious, and the rest of the track just follows beautifully; it just works so well. You can really hear DLG’s passion for French-house here, and in the rest of his tracks that follow.
Just for any of you slowpokes out there, I posted a cleverly done re-edit of his of a Pnau track a while back so make sure you check that out here if you have missed it! Check his official website for more up-to-date news.
I wish I heard more stuff these days like the track that’s contained in this post. My favourite French producer Fred Falke has just churned out a brilliant remix, something that reminds me of the old French-house/French-touch days, something so funky yet simplistic. The track ‘Music Talking’ is done by DJ Roland Clark (check out his Myspace top friends HA!!!) and The Montanas.
In addition, Falke also did a fine remix of Eric Prydz’s “Pjanoo” that will be released soon. Catch a glimpse of it at KBC.
Please please please purchase the “Music Talking” remix. Do it HERE. Or at Beatport.
By popular demand, I’ve re-uploaded the Fred Falke Triple J interview+mix that went on the airwaves 29th of March earlier this year. As a bonus, I’ve also put up the Third Class Radio (final show) that was on the 4th of April, also earlier this year. It’s relevant because not only does it have a guest appearance from Knightlife but also the man himself, Fred Falke. I highly recommend you guys listen to this bad boy; not only is it more hilarious but theres also alot more talking from Falkie on this one compared to the JJJ interview.
Well, it has been a while since I’ve posted anything on this blog. The start of the exam period last year to be exact. A lot has gone on in the world of music during my blogging hiatus, including me going to the greatest musical show inspired by Jean Michel Jarre in the history of the world. Not much of the new stuff out there has really tickled my fancy. I’m a huge fan of the Peter Gabriel meets Giorgio Moroder love fest that is “Sexuality” by Sebastien Tellier, to name a few. The quality of the release isn’t surprising when you look at who manned the production boards (Eric Chedeville, Romain Tranchard from Modjo fame and one Guy-Manuel de Homem-Christo). If you haven’t bought it yet there’s something wrong with you.
Back on topic. Something as rad as French Friday was the only thing that would bring me back. What better way to come back than to have a special on The Buffalo Bunch. Recently, Guy-Man’s little brother Paul has received praise for his release “I Thought That” under the name of The Migrants, but today we’re kicking it back to the old school.
I’ve already shown love to the Crydamoure label before on this blog, but I just can’t help myself. Paul’s releases with Raw Man (Romain Seo) as The Buffalo Bunch releases on Crydamoure and Scratché are top notch. Their remix work of pretty much the who’s who of French music at the time, also hits the spot.
In an ideal world, the two get back together. Fusing Raw Man’s love for metal (he’s in a band called Amen Birdman at the moment. yeah.) and Play Paul’s obsession with the Blade Runner soundtrack…it’s pretty lethal. Alas, some things are just not meant to be. Doesn’t mean we can’t get down to their tracks, though. Enjoy!
Here at Waves we are proud to present a new (and our first) column for your favourite day of the week, Friday, titled “French Friday”, containing, well you know.. all things from the land of cheese, wine and berets!
First up on the plate is well known French producer Fred Falke. Fred started his career as a bass player around 1995 and it was his discovery of Sugar Hill Records that made him want to combine music instruments and sequencers. As a result, he went out and bought his first drum machine, synthesizer and a four-track tape recorder, creating the foundations of his first home studio. Since his first release on Vulture “Intro”, Fred dedicates himself to production work and remixes for the likes of Goldfrapp, Kelis and Jamiroquai. We were lucky enough to get into contact with him just before he embarks on his Australian tour…
WAVES: Which producers/artists do you look to for inspiration? F.FALKE: Daft Punk, Snoop Dog, Neptunes, Lupe Fiasco, The Who.
WAVES: Who have made a huge impact on the way you view music? F.FALKE: Daft Punk, Dennis Wilson, Chic, Paul Williams.
WAVES: You were part of the music-project ‘Defender’ with Alan Braxe and Savage, bringing out a 12” on Vulture Music back in 2005. How did this project come about? F.FALKE: When I started to work on Bliss I asked my close friend Savage to play the guitar on the track. Then the three of us decided to do another track much more rock influenced and that is how ‘Defender’ came about.
WAVES: Does your solo work differ much from the type of music you were producing with Alan Braxe? F.FALKE: It doesn’t differ that much from our old projects. Although I have my own different influences that I release through my music.
WAVES: Do you think you’ll work with Alan Braxe again in the future? F.FALKE: No we have gone in separate directions. I have found other people that I have shared the same ideas with and have began our new productions in which I am very excited about.
WAVES:Kris Menace, another well known producer in the French scene, has teamed up with you in the past with the release ‘Fairlight’ back in 2006. In addition, you also have had two releases on his label “Work It Baby”. Please describe your relationship with Kris and also how did you and Kris come together? F.FALKE: Kris asked me to remix his track ‘Missile Test’ a few years ago and since then we have gone from a business relationship to a strong friendship.
WAVES: Your latest EP ‘Music for My Friends‘ re-visits those catchy house melodies that made you the house-hold name that you are today while introducing new influences and sounds. What was the creative process that went into these new tracks and the making of the EP? F.FALKE: Kris at first asked me to prepare a release through ‘Work It Baby’. This started as me showing him ‘Last Wave’ and him being very excited. I then found inspiration for ‘Sanctuary’ which made the b-side to the release. I felt that it was right for me to release the old way and prepared a four track ep. Kris was excited about the idea and I began to create ‘808 at the Beach’ and ‘Love Theme’.
WAVES: Have you found yourself using the same equipment now then what you were using when you first began producing music? F.FALKE: No my whole set up has completely changed. When I started my production I did not have any computers. I was always using my hardware samplers (roland s760 and ensoniq asr10) and sequencers (emu sp1200 and akai mpc60). I used to have a lot of vintage synthesisers, keyboards and drum machines but I decided to minimise my setup because less is more. Now I’m using a Mac with Ableton live, apogee interface, studio electronics synth but I still keep my sp1200 and asr10 for their specific classic sound.
WAVES: How do Europeans, in your opinion, view Australian music? F.FALKE: The Europeans like Australian music and production but especially the electro productions by artists like Cut Copy, Ladyhawke etc. WAVES: Has today’s Australian music made a large impact in Europe?
F.FALKE: I think it is starting.
WAVES: Do you think this cross-pollination of genres is going to phase out? F.FALKE: The mix between the genres is what makes music move on. I think it is here to stay. WAVES: Any comments on the vast amounts of dance bands out there? F.FALKE: It’s great!
WAVES: Do you think house music is making a comeback amongst today’s generation of dance music and how is it different from the house music ten years back? F.FALKE: To me it has never gone away. Maybe it has not been in the spotlight but has still been home to many.
WAVES: What are your views on the way new tracks and music are sourced today by DJ’s and fans? i.e. Blog sites and digital downloads. F.FALKE: I think it’s great because people can react very quickly to new tracks and tracks begin to gain expose to vast amounts of music lovers.
WAVES: Just adding to that, any comments on the changing landscape of the music industry? i.e. how it’s easier to get music across but harder to actually sell. F.FALKE: Nowadays its very challenging to reach an audience. It’s great because it pushes the artist to be creative. If the listeners see your creativity they are willing to buy your music.
WAVES: When I first read that you remixed a Whitest Boy Alive track, I jumped for joy. How on earth did this come about? F.FALKE: Whitest Boy Alive asked me for remix and since I am a fan of Erlend’s voice I was more than happy to do it.
WAVES: Any new productions coming up in the near future? Remixes or a new album? F.FALKE: I have just finished a remix for Ladyhawke amounts other artists and I have a new track coming out soon on Eyeindustries. I am also working on my album.
WAVES: Lastly, any closing words you wish to say for the readers out there? F.FALKE: Thank you for supporting my music and I really enjoy receiving great comments on myspace. It’s very encouraging.
WAVES: Thank you once again Fred. All the best for the Australian tour and the future!
If you missed the Triple J interview + mix last Saturday night well don’t fret; its right here at your fingertips to be heard. Also, tune into Third Class radio tonight at 10pm for more Falke action.
Yes you heard correctly, Falke is touring the land of Oz so make sure you don’t miss out on one of his great shows around the country. Here are the Australian tour dates:
05 Apr 2008 Tick Tock with DROP THE LIME (USA) - Perth
10 Apr 2008 Family - Brisbane
11 Apr 2008 Roxanne - Melbourne
13 Apr 2008 Sounds on Sunday - Sydney
Recent Comments